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| ![]() Episode 19Sailor MoonMolly's Folly
Jap.23 "Wishing to a Shooting Star! Naru-chan's Pure Love."The episode starts with some Serena and Molly fanservice as the two take some time out relaxing in a swimming pool. Serena's really into the splashy fun but Molly is daydreaming about her new love of her life, Maxfield Stanton (that's Nephlite. Wink wink!).
Later on at Raye's temple, Serena fills her fellow Scouts in on Molly. Raye thinks that they should warn her right away (in more detail) but Amy suggests that they wait things out for a bit.
Meanwhile in the Negaverse, Beryl is fumming as she seems unable to get in touch with Nephlite and is getting more and
Back in Tokyo, Serena still isn't sure exactly how to deal with Molly so has decided to go and ask Andrew for advice at the video arcade (and play some games while she's there!). Unfortunately for her, Darien also arrives at the arcade and so the three of them end up having lunch together with Darien and Andrew paying for the lot.
Later that night, Nephlite rings Molly's house and asks her to come meet him in a park near her house. Molly agrees straight away and leaves to meet him before her mother can even ask where she's going!
When they arrive at the park, Nephlite has been given the crystal from Molly, but he quickly tests it with his black crystal and finds that it isn't the one he's looking for. He
Nephlite teleports away and Molly still loves him much to the dismay of Moon, Mercury and Mars who try to convince her that it's a bad idea.
Monster of the DayYasha was summoned by Malakite and Zoicite to spy on Nephlite and gather information on the Silver Crystal. Her design obviously features a heavy influence from two different kinds of kabuki performers costumes, the Japanese woman and the demon. Nephlite broke away the first form with an energy blast while saving Molly and Sailor Moon finished her off with her Moon Tiara Action attack. While this monster of the day only appeared for a few minutes in this episode, the clip of her uncovering her face was used in the English opening credits and can be seen just before Queen Beryl strikes her dramatic pose.
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